|Elliott Sound Products||Project 146|
The ESP website does have a circuit for a high performance overload detector, but it's buried within the Project 30 mixer pages and is easily missed. Since this is something that people seem to need (especially with mic preamps and the like), the circuit has been modified, physically tested, and is presented here. The modifications are primarily to allow the detection threshold to be adjusted to suit different applications. There are also two additional circuits, both intended where you need a single overload detector for multiple points in a circuit (or to indicate an overload on either of two channels in a stereo system).
The circuit is shown below - it's very simple, but works well even with the most basic opamps. While it could have been made faster by limiting the opamp output swing with more diodes, doing so would increase complexity and introduce switching noise onto the input line. The aim of the circuit is to detect both positive and negative peaks - a great many peak/ overload detectors only work with one polarity. This is not really a good idea, because many (most) audio signals are asymmetrical, and detecting only one polarity could mean that some signals could be clipping without you realising that it's happening.
Another requirement is that the circuit can be connected to high or low impedance circuits without creating a non-linear load that causes distortion. This is especially true with high impedance circuits, because any non-linearity in the detector is directly reflected back to the source. An overload indicator that creates distortion in the source circuit is hardly useful.
Although shown here using ±15V supplies, these circuits will all work fine with other supply voltages. The detection thresholds are set from the supply rails, and the ratios remain the same regardless of supply voltage. Only the LED series limiting resistor will need to be changed in order to maintain a useable current at reduced voltage. For example, with ±5V supplies, you might reduce the LED series resistor to around 470 ohms.
The circuit diagram is shown in Figure 1, and although shown with a TL072 opamp, you can use 1458, 4558, LM324 or any common (cheap) dual opamp. While you can also use expensive high-performance opamps, there is no reason to do so - the circuit only lights a LED. The biggest advantage of the TL072 is that the input bias current is very low, minimising errors caused by the input current.
Despite the extreme simplicity, the circuit works very well. If used with a mic preamp or similar, VR1 (trimpot) will allow you to set the peak voltage where the LED will come on. With VR1 at maximum, the detection voltage is about 10.7V, so there is almost no headroom before the signal clips. Normally, I'd expect VR1 to be set to roughly 1/2 resistance, which provides a detection threshold of ±8.3V. This is about the maximum you'd normally use for a circuit operating with ±15V supplies. Setting VR1 to lower resistance reduces the detection threshold voltage. At a 10% resistance setting (5k) the detection threshold is ±3V. If desired, a fixed resistor can be used instead of the trimpot.
U1A and U1B form what's known as a 'window comparator'. Provided the signal voltage remains within the boundary reference voltages at pins 2 and 5, the outputs remain at close to -15V. Should either pin 3 or pin 6 (which are joined) go above or below the reference voltage, the output of the corresponding opamp will swing high (close to +15V). C1 charges immediately via the diode, and the LED is turned on by Q1. After the transient has gone away, it takes time for C1 to discharge, so the LED remains on for long enough for you to see it. C1 cannot discharge back through the opamp outputs because of the diodes (typically 1N4148 or equivalent). The LED can be any colour you like, and the maximum LED current is about 6mA. This can be reduced by increasing the value of R6. Note that the circuit is mono - if you need to monitor a stereo signal you'll need two of them.
Figure 1 - Overload Indicator Schematic
There's not a lot to the circuit, and it is very economical to build. The input has an earth/ ground reference set by R7. If the input is connected to the output of an opamp or the connected circuit has an earth reference then R7 can be omitted. If the monitored circuit is capacitively coupled or has no earth reference, then the input must be connected to earth via a suitable resistance for R7. 100k will be suitable for most circuits, but for high impedance circuits (such as valve equipment) TL072 opamps are ideal, and R7 can then be several megohms. R5 is optional. If it's not used the LED will stay on for longer, even with very brief transients. You can also adjust the value to some extent to make the circuit faster (by reducing the value - the minimum suggested is around 2.2k).
Note that the inputs must be protected from voltages outside the opamp supply rails. The optional diodes (D3 & D4) aren't needed if the circuit is monitoring audio circuitry operating from the same supply voltages, but are essential for anything else (valve equipment, power amplifiers, etc.). Where the input level will normally be (perhaps significantly) higher than the supply rails, the input should be provided via a pot (to allow adjustment) or a voltage divider. If a pot is used for the input signal, VR1 can be a fixed resistance.
For use with a fixed resistor, I suggest that VR1 is replaced by a resistor of 10k, which is quite suitable for many applications. With ±15V supplies, this sets the detection threshold to ±5V which is very convenient. The detection voltage for any value of resistor is determined by the following ...
V = Vcc / ( R2 / ( 0.5 * R ) + 1 ) for example ...
V = 15 / ( 10k / ( 0.5 * 10k ) + 1 )
V = 15 / 3 = 5V
Vcc is the supply voltage, V is the detection threshold voltage (positive and negative) and R is the resistance used in place of VR1. In all cases, R2 and R3 are identical values, and there's no good reason to change from the 10k suggested. I leave it to the reader to determine how to reverse the formula so a resistance can be calculated from the desired threshold voltage.
To use the detector as a power amp clipping detector is simple enough, but be aware that unlike Project 23, it cannot compensate for supply rails that collapse with sustained high power. Therefore, it would normally be adjusted so that any signal greater than ~75% of the nominal supply voltage will cause the LED to come on. This is pessimistic, and in normal use it will be ok for the LED to flash occasionally. For an amplifier using ±35V supplies, you might want the detector to operate with any transient signal above 26V peak.
The input attenuator (between the power amp and clipping detector) could use the standard 10k resistor from the output, with a 2.2k resistor to earth (as shown below). This gives a threshold voltage of 27.7V - a little higher than the 75% suggested, but uses standard value resistors and will be quite satisfactory for normal use.
Figure 2 - Power Amplifier Attenuator Example
The above assumes that VR1 is replaced by a 10k fixed resistor, and as discussed, the detection threshold is ±27.7V (28V close enough). It will be quite alright if the LED flashes every so often - typically no more than one flash per second. This depends on the programme material of course. The occasional flash of the LED indicates that the amp is close to clipping, but there is still some headroom (about 1.5dB, which is the bare minimum).
For amplifiers with different supply rails (and therefore different power ratings), R7 can be adjusted to suit. This still assumes that VR1 is replaced by a fixed 10k resistor, so the detector will light the LED with any transient exceeding ±5V. Based on this, suitable values might be as follows ...
Amp Power (8Ω) Supply Voltage R7 Value Detect Voltage 10 W ±13 V 12k 9.2 V 20 W ±18 V 5.9k 13.5 V 50 W ±29 V 3.0k 21.7 V 70 W ±35 V 2.3k 26.7 V 100 W ±40 V 2.0k 30.0 V 150 W ±50 V 1.5k 38.3 V 200 W ±58 V 1.3k 43.5 V 300 W ±70 V 1.1k 50.5 V 500 W ±90 V 800R 67.5 V
The resistor values are rounded to one decimal point, and there is some variation from the ideal. However, since the peak voltage was mainly based on 75% of the nominal supply voltage there is room for small errors without it causing a problem. Some of the values are not standard, and you may decide that using a trimpot in place of R7 is more appropriate. If you do this, select a pot that's around double the resistor value listed. For example, for a 100W/ 8 ohm amplifier, a 5k trimpot would be suitable. For a 300W amp, use a 2k trimpot. With amps above 150W I recommend using a 1W resistor for R1 so that it is not stressed at all.
Overload detectors such as the one shown here can be a blessing or a curse. If you often use your system turned up pretty loud, then you'll likely be horrified to see that the clipping indicator LED is on much of the time. It's not at all uncommon for amplifiers to be clipping on transients, and most of the time the clipping is entirely inaudible. An overload indicator makes it very easy to see that's what is happening, and you could easily discover that when operated below clipping at all times, the amp isn't loud enough.
Figure 3 - Typical Operation With Noise Input
Figure 3 shows the simulated output (LED current in red), the noise signal in green, along with the upper and lower threshold voltages. Any time the input exceeds either threshold, the LED is turned on. This example is deliberately set so that there is plenty of activity. Although the diagram is a simulation, the waveforms are no different on an oscilloscope.
If you look very carefully, you will see that there are some excursions outside the thresholds that don't cause the LED to light. This is because the stimulus was wide band noise rather than music, and such noise has high frequency components that simply do not exist in music. While we might assume that 'fast' musical transients have a large high frequency component, this is usually not the case at all. The most common cause of amp overload is bass and midrange, especially when there is additional transient information 'riding' the bass or midrange waveform. The energy in music rolls off naturally above ~1.5-2kHz, and a super-fast detector serves no useful purpose.
All circuitry shown in this project is operated with an unbalanced input. Since it's intended to be used within a preamp or mixer case that's not a problem. It can also be used as an external unit, and will work fine even with balanced circuits. Because the input impedance is very high (when R7 is omitted), the circuit can monitor one of the two signal lines of a balanced interconnect, and because both usually have exactly the same voltage (just the polarity is reversed) if one line is close to clipping, then so is the other.
There is one very important point that you must be aware of. Because the opamp comparators are fairly fast and there is a LED being switched on and off, the circuit can introduce noise via the supply lines (±15V) and earth/ ground connection. For this reason, it is very important that all power wiring is returned to the power supply, and not daisy-chained from the supplies used for preamps. Supply decoupling is also essential, as shown in the circuit diagram. This keeps most of the noise within the circuit.
If a large number of these circuits is used (in a multi-channel mixer for example), there's a lot to be said for including a secondary power supply to power all 'noisy' electronics. These include overload detectors (like this one) and metering amplifiers. If this is done, the power rail decoupling becomes less of an issue as long as all noisy supply busses are kept separated from other circuitry.
There are many instances where monitoring a single circuit isn't enough. For example you might want to check that several sections (or channels) of a circuit aren't clipping, from the input stage, through the equalisation sections, and also the final outputs. There are many configurations where the output might be well within limits, but earlier sections are either clipping or are dangerously close to it. Tone controls are a potential source of problems because there can be significant boost causing clipping, but if the volume control is after the tone controls and set low you may not realise.
The circuit shown will monitor as many or as few circuit sections as you like. There is no upper limit, so a single circuit can monitor multiple points in a multi-channel mixer. This isn't usually sensible though, because you'd never know just where the problem was other than by disconnecting or muting each channel in turn. This is why most mixers have a peak/ clipping indicator on each channel.
Most commercial equipment that has multi-stage clipping detection just use one polarity, so there's a single diode from each monitored point. This is simple and usually sufficient, but if you want to monitor both polarities it gets more complex. The circuit shown below will do it - you will need one resistor and a pair of diodes (1N4148 or similar) for each circuit point you wish to monitor. You'll run two 'sense buses' back to the detector as shown. The 2.2k resistors shown for each input are to isolate the circuit from diode switching distortion, and they can be omitted if you prefer.
Figure 4 - Clipping Detector For Multiple Inputs
Positive excursions are monitored directly by the comparator (U1A), and the rest of the circuit works exactly the same as the previous version. Negative excursions are inverted by U1B, and the output of that is diode isolated (D2) and fed to the comparator. R2 is shown as 22k, and this sets the detection threshold to 10.3V plus one diode forward voltage drop (0.7V). Any signal peak greater than 11V (positive or negative, from any input) will trigger the comparator and cause the LED to flash.
To adjust the detection threshold, vary R2 as needed. For example, if you wanted to use the earlier example of ±5V to trigger the LED, R2 needs to be about 4.7k, and that sets the threshold voltage to ~4.8V plus one diode voltage drop, for a total of 5.5V close enough. That's on the bus itself - the diode drops at each node being monitored also needs to be considered, so the actual threshold voltage with values as shown is 0.7V higher. R2 can be replaced with a trimpot if desired, allowing you to set the trigger voltage to whatever you need. R7 can be omitted, and that will cause the LED to stay on for a little longer.
Note that while this circuit can be used with a stereo power amplifier. you must include attenuators as described above and shown in Figure 2. Any input voltage above ±15V (or any other supply voltage you might use) may destroy the opamps. External attenuators are required for both inputs.
Since single polarity detection is so common (it's used in countless mixers and the like), it's worthwhile showing how easy it is to achieve. While it is possible to dispense with the opamp, it has so many advantages that it's silly to try to get a predictable threshold without it. To get a reliable circuit will use more parts if you don't use an opamp.
Figure 5 - Single Polarity Clipping Detector For Multiple Inputs
The circuit is very similar to that shown in Figure 4, but only one opamp is used. Although shown as 1/2 of a TL072 you can use a TL071 if you prefer. It's much simpler to connect to the various places you want to monitor because there's only a single bus needed. The 2.2k resistors are optional (as with the previous circuit).
Adjustment of the detection threshold is performed in the same way as the Figure 4 circuit, by changing the value of R2. Again, you can use a trimpot so it can be adjusted easily. R5 (same as R7 in Figure 4) can be omitted, and that will cause the LED to stay on for longer.
|Copyright Notice.This article, including but not limited to all text and diagrams, is the intellectual property of Rod Elliott, and is Copyright © 2013. Reproduction or re-publication by any means whatsoever, whether electronic, mechanical or electro-mechanical, is strictly prohibited under International Copyright laws. The author (Rod Elliott) grants the reader the right to use this information for personal use only, and further allows that one (1) copy may be made for reference while constructing the project. Commercial use is prohibited without express written authorisation from Rod Elliott.|